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Young men trying to live up to the standards of Western consumerismreadily fall prey to quick, easy money from hustling. The economic boom andthe recently won political freedom have turned that beautiful, gracefulcity into a new mecca for both Eastern and Western tourists in search ofsex. My article on these: "Who's Renting These Boys?"Ī documentary about boy prostitution in Prague. WIKTOR GRODECKI'S CZECH HUSTLER DOCUMENTARIES: It obviously struck a chord, becoming the audience favorite at the Pula festival in '02 as well as Croatia's nominee for an Oscar the following year. The film takes aim at the brutality and amorality of contemporary Croatian society, targeting patriarchy, nationalism, and the Catholic Church, as well as homophobia. In Fine Dead Girls Iva and Marija move into an apartment building that is home to a rogues' gallery of characters: a war veteran suffering from post-traumatic stress, a prostitute paid to break up the couple by a priest who is one girl's father, a homophobic gorgon of an apartment manager, and her son, a slacker mama's boy who rapes one of the pair to prove his masculinity. The sole woman among the leads is the cause of all conflict, while Milan's father and best friend accept his gay affair with equanimity.įine mrtve djevojke (Fine Dead Girls) 2002 Though firmly anti-Serb and anti-war, the film reads as ultimately misogynistic. Ranka eventually outs the gay men to Milan's father, while Milan is drafted into the Serbian army and killed. These two men barely kiss onscreen, though Kenan, who is bisexual, is shown having sex at least twice with Ranka, the village prostitute. The pair escape to Milan's village, where the disguise is maintained through a traditional wedding. If this is the kind of film we are getting this early in the year it is going to be an amazing few months for moviegoers.A gay male couple in Sarajevo, Kenan, a Bosnian, and Milan, a Serb, plan to emigrate to the gay-friendly Netherlands, but the war strands them in Serb-controlled territory, and Kenan adopts female drag to avoid being found out as a circumcised Muslim.
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Call Me By Your Name wasn’t just the best movie at Sundance but it’s also one of the best movies of the year, period.
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Stuhlbarg’s final monologue reveals so much hidden meaning in his character that grown men and women were audibly weeping at the film’s premiere. He goes from an interesting side character to a shockingly compassionate father, and in one pivotal scene reacts to his son the way all children should be loved. He proves that he is not Brendan Fraser 2.0 but something much greater and deeper than that.įinally there is Michael Stuhlbarg who has a smaller role as the father but practically steals the movie in the last third. Likewise Armie Hammer, who is sometimes handicapped by his looks, is able to make those weaknesses a major strength here. His ability to evoke innocence and false confidence (sometimes in the same scene) is breathtaking. Chalamet holds the movie together as the younger Elio and he is a revelation. The detail and care Guadagnino has given the film transcends those boundaries and tells a universal tale, one that is real and from the heart. Armie Hammer plays the eager pupil Oliver and from his introduction it is obvious that he is meant to shake up this family in unexpected ways.Ĭall Me by Your Name was adapted from the Andre Aciman novel of the same name and while it showcases two men in a romantic story it should not be limited to gay themes or features. As played by character actor Michael Stuhlbarg he is an endearing man who at the beginning of the film has invited an American grad student to assist in his research.
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The local girl who has a not-so-subtle crush on him does what she can to get his attention but like most boys he is frozen in a rut of nerves and inexperience.Įlio’s father is the total opposite, outgoing, cultured and full of life. Seventeen year old Elio Perlman (Timothee Chalamet) is a typical teenager, aimless and obsessed with sex. We open in the aforementioned Italian summer where the ’80s fashions are hot (short shorts for men) and the music is even hotter (The Psychedelic Furs blast the soundtrack more than once). The film’s director is Luca Guadagnino and while his resume is light ( A Bigger Splash and I Am Love) he handles the juggling act of story and character like a pro.